Furthermore, if you lose just one part, the original movie can no longer be recovered. So why do we want to split a movie file into multiple independent clips as opposed to parts? Simply, you can't play back file parts with a media player like Apple's QuickTime Player and VLC Media Player. If you import a QuickTime-readable video clip, SplitMovies will split it into multiple MOV clips. ![]() Currently, SplitMovies supports the following movie formats for imports: AVI, Matroska (MKV), QuickTime. Likewise, for Tim Robbins’ PTSD-stricken veteran in Jacob’s Ladder, chilling hallucinations can pop out of anywhere, keeping the viewer permanently on guard.SplitMovies is an application that specializes in splitting a single movie file into multiple independent video clips, each of which is a stand-alone movie clip and can be opened and played back. Black Swan had the good sense to take its visual and stylistic cues from the mental interior of Natalie Portman’s paranoid ballerina as she cracks under the pressure of the gig of a lifetime. Films that provide a window into an unwell mentality, however, can color every scene with free-floating fear. Split works in quick jabs of terror, spooking the trembling teen captives with the occasional burst of violence or terror. That’s fine - the problem isn’t just that Shyamalan’s approach compounds public distrust for the mentally unwell, it’s the way it ignores the rich potential for more complex storytelling and raw, visceral frights. For the sake of argument, let’s assume the lone service of a horror picture is to scare the bejesus out of its audience. Maybe a demand for baseline factual accuracy seems like nitpicking when it comes to scary movies. It’s hard to imagine a more squarely on-the-nose example of demonizing mental illness than portraying a mentally ill man as a literal demon. ( Medical orthodoxy favors the notion that personalities fracture as an attempt to quarantine and compartmentalize harmful mental stressors.) The act of other-ing Kevin as a patient of DID isn’t even incidental it’s the whole point. By the end of the film, Kevin is exhibiting abilities that amount to superpowers, somehow derived from what professional consensus indicates is his brain’s extreme coping mechanism to a fleetingly shown childhood of abuse. Shyamalan extends the concept to a cartoonish extreme when he introduces Kevin’s personality “the Beast,” which has superhuman abilities and a monstrous appearance. Karen Fletcher, repeatedly spells out her controversial theory that DID grants sufferers extraordinary control of their bodies, citing such examples as a blind woman with a personality capable of vision, or a strongman personality spontaneously developing extraordinary strength. Not to its credit is the rest of the film, which repeatedly fixates on the brain’s potential to psychosomatically change a body’s physiology. ![]() To its credit, Shyamalan’s script uses the more up-to-date term of dissociative identity disorder rather than “multiple-personality” to refer to Kevin’s condition. Split tops the Friday the 13th franchise in a walk, however. Viewers are torn, sympathizing both with Norman’s victims and with Norman himself, and that ambiguity is what sticks long after the credits roll. Sympathizing with him and making him human makes him a richer character overall, and lends the murder scenes a stronger emotional and psychological undercurrent. Norman is the truest casualty of his tyrannical mother, and Hitchcock has a clear compassion for the character’s tragic dimension. Norman Bates’ mommy complex is torn straight from Freud 101, but Hitchcock lent the character more nuance than the analyst’s profile in the concluding scene suggests. He vilified the brain itself, and its ability to turn on its owner and whisper troubling orders into the subconscious. Where else could the phenomenon begin but with Psycho, Alfred Hitchcock’s Rosetta Stone for translating a huge chunk of modern horror cinema? The mind’s capabilities to misfire have frightened the public imagination since Jack the Ripper’s sociopathy cleared the streets of Whitechapel after dark, but Hitchcock was the first to put it into pop-psych layman’s terms.
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